1027: Jonna Mendez | A Woman’s Life in the CIA

1027: Jonna Mendez | A Woman's Life in the CIA

This transcript is yet untouched by human hands. Please proceed with caution as we sort through what the robots have given us. We appreciate your patience!

[00:00:00] Jordan Harbinger: Coming up next on the Jordan Harbinger show.

[00:00:03] Jonna Mendez: I was walking down the street and I'm a, a woman who doesn't belong in that city and doesn't, certainly doesn't belong in that street. I was walking down and I bump into this, this group of guys, and you could see the guns. They all had guns and I figured, you know, this is the cartel.

So they all turned and looked at me. You can almost hear their brains going like, huh, DEA, sending women now. And I thought, you know what? They just might just shoot me if they've had enough beer and if they're worried enough about who I am and why in the world am I walking down this street?

[00:00:39] Jordan Harbinger: Welcome to the show. I'm Jordan Harbinger. On the Jordan Harbinger Show. We decode the stories, secrets, and skills of the world's most fascinating people and turn their wisdom into practical advice that you can use to impact your own life and those around you. Our mission is to help you become a better informed, more critical thinker through long form conversations with a variety of amazing folks, from spies to CEOs, athletes, authors, thinkers, performers, even the occasional rocket scientist, Russian chess grandma, Hollywood filmmaker, or real life pirate.

And if you're new to the show or you wanna tell your friends about the show, I suggest our episode Starter Packs is a place to begin. These are collections of our favorite episodes on persuasion, negotiation, psychology and geopolitics, disinformation and cyber warfare, crime and cults and more. That'll help new listeners get a taste of everything we do here on the show.

Just visit Jordan harbinger.com/start or search for us in your Spotify app to get started today on the show, another round with Jona Mendez. You might remember her previous episode where she details her time in Moscow as the chief of disguise for the CIA former chief of disguise. Now of course, this is one of our most popular episodes.

Today we're focusing more on Spycraft, including her start at the CIA training in clandestine surveillance and spy technology cover stories that spies use crazy disguise techniques and practices, including making doubles of people mission impossible style, face masks that peel off, and other things that you probably, what I certainly thought were actually impossible and a whole lot more really interesting episode about a woman in a career that was not really available to women at the time, especially now.

Here we go with Jona Mendez.

Welcome back and thanks for doing this. Our last interview, I look back, it was in 2020. A lot of people say it was one of their favorite episodes and I know we've planned this one for a long time. 'cause I actually, I checked back last year and I said, isn't your book out? And you said, wrong year pal. And so here we are in the right year and I'm actually planning to run our previous episode in a few days.

'cause I think this conversation's gonna be a great prequel to that one. 'cause that's kind of how the book reads. And I assume that was intentional.

[00:02:43] Jonna Mendez: I don't know. This book is what happened when Covid hit and I got just like everyone else bored. I did all the jigsaw puzzles, all the crossword puzzles, I did all of that stuff.

And then I thought, well, I'll just fiddle around with, with a memoir. I'll just see what I remember. What comes back to me. 'cause when you leave the CIA, you basically leave with, with nothing unless you're Aldrich James, uh, God knows what,

[00:03:06] Jordan Harbinger: and then you leave with nuclear secrets and Yeah, you're not supposed to do that from what I understand.

Yeah.

[00:03:10] Jonna Mendez: Stuff

[00:03:11] Jordan Harbinger: like

[00:03:11] Jonna Mendez: that. But you, you don't take your calendars. You don't take your notebooks. It's all behind. So it's all pretty much from memory.

[00:03:17] Jordan Harbinger: I bet. You know, I never thought about that. You were very productive during Covid then I had two kids. So you were productive and I guess I was reproductive and uh, man, that would be really tough.

'cause you can't call an old colleague and be like, Hey, what was that operation to me, Amar, that we did because Right. They're like, Hey, you're retired. I'm not supposed to talk to you about that stuff.

[00:03:35] Jonna Mendez: No, I mean, this is so ridiculous. There was a point, and it's in the book when I ended up going to the White House.

Now that's a very unique thing that, yeah, CIA doesn't do that very often and showing up a new disguise. So I'm writing and the question was, huh? When was that? Well, even in CIA, I am not sure, I only write it down once on a calendar. I never had written it down anywhere outside. So I'm trying to triangulate, it's like a, a German DF thing, trying to find the radio transmission.

I'm like, well, it was before this. It was after that Bush was still there. Let's see. And the people in the room and. Dan Quail was there and, and just try just getting it down to uh,

[00:04:12] Jordan Harbinger: right, so you basically had to figure out what year somebody was the VP and be like, oh, and there's a dog in the photo and that dog, they got that dog in this year or whatever.

[00:04:20] Jonna Mendez: Millie had her puppies. That was one of the biggest points that I could find. Millie's puppies. That's funny. Bill Webster took me, so he was director of CIA not for a terribly long time. So, you know, you just kept narrowing in on it.

[00:04:33] Jordan Harbinger: You said it was like a German DF thing? What is that? I don't know what that means.

[00:04:36] Jonna Mendez: It's a direction finding during the second World War when the French resistance, well, in other resistance when they were in radio contact, say in the south of France and, and they were communicating with London so the allies would know where to bomb, what to bomb, where the bridges were, how many soldiers the Germans were out there in these trucks and vans with this equipment.

Triangulating on those signals trying to find the radio operator outside of the military. He had the most dangerous job in the war because they found him and killed him just by the dozens,

[00:05:09] Jordan Harbinger: the direction finders or the, the

[00:05:10] Jonna Mendez: radio transmitters, the people who were running the radios and sending messages back to London.

[00:05:17] Jordan Harbinger: I see.

[00:05:17] Jonna Mendez: Saying, you know, we have people, we have resistance. They've said, this bridge is really, really crucial. Bring in something bomb that bridge. Oh, and by the way, drop us some more ammos, some more food, some more money. It's all going on.

[00:05:31] Jordan Harbinger: Oh my gosh. So these people were essentially the only line out. So what radios, this is a dumb question probably, but I, I don't know, were radios ginormous back then they looked like great big suitcases

[00:05:42] Jonna Mendez: and these people were moving every day and they were typically sheltering in like the, uh, loft of a barn in makeshift buildings.

Just moving from location to location. Trying to stay ahead of the Germans that we're trying to find.

[00:05:55] Jordan Harbinger: That sounds really, that's a job for somebody who thinks they can't die. That's a job for one of those like 19-year-old kids who's thinking, no, I'm the superhero in this movie. They're never gonna find me.

[00:06:05] Jonna Mendez: It's part of a story that we tell in the spy museum. The story is actually not about the radio operators. It's about an American woman who was in charge of a big piece of the resistance. She was sit in by the British, her name was Virginia Hall, and she's famous in my world, but she, uh, pulled together these French resistance men, all men, and they were out there bush wagging the Germans, doing everything they could to interrupt the Germans taking over of France.

Virginia Hall was, she was operating with one leg. She had lost a leg before the war in a hunting accident, so she had a prosthesis, I think it was from the knee down. She had a wooden leg just back in the 1940s. You can imagine what it looked like. She was such a force of wrath against the Germans. They figured out that there was a woman working against them and that she limped.

And so the Germans put up these big posters all over the south of France saying, keep your eyes out for this woman who limps. So, Virginia Hall, she's in my heart. She's my favorite because she disguised herself as a shepherdess. She went out and bought a flock of sheep and a staff dressed like a French woman, and she's standing in the fields with her sheep, moving with them, you know, limping, but in a flock of sheep.

It's really hard to see. She was just, hell Ben. She was calling all, all kinds of munitions, blowing up bridges. She was running the thing,

[00:07:32] Jordan Harbinger: geez. Nowadays you put the radio in the fake leg, but I guess they didn't have the technology back then.

[00:07:36] Jonna Mendez: Yeah. Yeah.

[00:07:37] Jordan Harbinger: That sounds like something you would invent actually,

[00:07:39] Jonna Mendez: in the next war they'll, they'll automate that fake leg.

[00:07:42] Jordan Harbinger: That's right. That's right. I wanna jump back and talk about how you got your start in the CIA, because it seems like back then it's not a career path most people would've even heard of. 'cause back then, there's not a zillion movies about it. James Bond, I know that's not the CIA, but that whole thing doesn't really exist.

The pop culture references are not there. It's not something where you're like, oh, I'm gonna grow up and join the ccia A. It's like you meet somebody who's in that you finally find out and you go, what's that? I've never heard of that.

[00:08:06] Jonna Mendez: That's absolutely right. It was never on my screen. I thought if you asked me what I thought my life was gonna look like.

I was 18, 19. I thought I was gonna end up being an English teacher. I loved English literature. I was in college. I was taking a number of classes in English Lit. I didn't think I was gonna stay in Kansas, but I thought that would be something that I'd be good at and that I'd probably end up doing. That's not what happened at all.

No, my my friend got married and she married a second lieutenant and I thought, oh my God, he's an officer. But I found out, of course second Lieutenant is like, like a baby officer, but that's okay. So I, I went to Europe and I was in their wedding and he was in the fifth at Armored Calvary in folded Germany.

Folded is a, a really critical spot, or it was back then it was where the folded gap was. And going back to Bonaparte, the Europeans always knew that if the invasion from the east ever happened, they were gonna come to the folded gap. That's why they had all these tank brigades stationed around there.

Anyway, they got married and went to Italy on their honeymoon in, and there I was in Europe and I wasn't about to go home. Kansas.

[00:09:11] Jordan Harbinger: Oh wow.

[00:09:11] Jonna Mendez: So I had to find a job and I did a place to live. I worked for Chase Manhattan Bank in Frankfurt and met my first husband there, an American who I thought vaguely, somehow he did something with the military.

He was a civilian. He wasn't military. Yeah. He didn't wear a uniform. It's hard to explain to young people today, big parts of Germany. It was like America owned it. We had troops everywhere. We had stores, we had commissaries, we had hospitals, we had just everything. You could live a whole year in Germany as an American and never really interfaced with the German after the war.

It was just crawling with. So when I met this civilian, it made sense that, oh yeah, he's somehow associated with that huge military presence. He had, uh, parents in Vienna, Austria. His dad was a diplomat, and so we would travel down to Vienna a lot and visit them back up to to Frankfurt. He proposed to me in Vienna, in the subway.

Coffee.

[00:10:05] Jordan Harbinger: I'd say very romantic in a sarcastic way, but my proposal was much worse, so I'm gonna let it slide.

[00:10:10] Jonna Mendez: He wrote me a poem on a napkin. I kept the napkin. Anyway, I said yes, he was a great guy. And it wasn't until after he proposed to me and I said yes, that he said, oh, by the way, I work for the CCIA A, I'm not a civilian attached to the military.

I'm a CIA Officer Undercover. He couldn't tell me until I said yes. It was kind of part of the rules at the CIA. You couldn't divulge your cover status.

[00:10:34] Jordan Harbinger: Yeah, that makes sense. So the exception is fiance, spouse, immediate family. I guess maybe

[00:10:39] Jonna Mendez: immediate family is your call. And different people do different things.

The ones that come up first usually is if you have kids. The question isn't, when should I tell them the question is when they absolutely insist that you explain yourself, because who are these people that are in your living room every night? You can't talk to them, and so telling your kids was always a, a rite of passage.

I think most people found out that the kids were better at keeping the secret than a lot of the adults. The kids were like, okay, I get it. I never heard a story of a kid passing it along.

[00:11:11] Jordan Harbinger: Huh. That's fascinating. You wouldn't expect that, but yeah, that makes a lot of sense when they just insist because it's like, okay, what's going on here?

I'm not leaving until you tell me what the heck is going on. And it's like, all right, you're 15 years old and, uh, uncle James is not really related to us. The reason he's here every night and the reason he's Lebanese is because we have a special arrangement. I don't understand how we have relatives that don't speak English or whatever, you know, that doesn't make any sense.

[00:11:34] Jonna Mendez: Yeah. You know, the other thing that kids could see through so easily, almost always was disguised. It was hard to fool a kid. Something about, you know, all the fluffy stuff is over beside them, not part of their vision, and they're just looking clear-eyed at whatever.

[00:11:49] Jordan Harbinger: Yeah, they're not thinking about their mortgage.

It's almost a funny trope. There's a movie with, I think it's Nicholas Cage. I could be wrong, but where he switches bodies, he switches lives with himself or something. And in one, he's like a wealthy financial guy who's kind of a jerk. And then in the other one, this other path he didn't take, he proposed to his girlfriend at the time instead of taking the job.

And he had a couple of kids. And when he switches lives, the only person that notices is his daughter. And she's like, so you're an alien, right? So. He's like, how do you know? And she's like, because you don't know how to do the diaper, and you always knew how to do the diaper, so you're not my dad. It's like she just notices these very little things that she points out in the movie.

I think to throw it way back to the eighties, ghost dad with Bill, I think it was Bill Cosby. Yikes. The little girl is the only one who's like, you're not real and everyone else can, or you're the, it's the only one who can see the ghost or something like that. It's just, you're right. Little kids, even outside of Hollywood, they just don't have all the noise.

Right? So their signal to noise ratio is so much crisper and clearer that they might actually notice something like that. Although you would think disguises would be good enough to fool a kid, I guess maybe that's a metric, right? You bring in a group of toddlers and if they buy it, you know you got a winner.

[00:12:55] Jonna Mendez: That's the best explanation for it I've ever heard. Yeah. Ratio of noise. Yeah. Kids don't have those impediments.

[00:13:03] Jordan Harbinger: It sounds like in the beginning of your career, women were second class citizens in the CIA, not just the CIA, I guess 3% of field officers were women. Field work was known as men's work, and it just seemed like you wanted to do something technical and they were just like, Hey, hang out on there.

A little lady, not so fast. How about some coffee cream and sugar, please? I mean, it really comes across as that kind of work environment.

[00:13:23] Jonna Mendez: It was that kind of work environment. As a female, you probably came in the door as a secretary. It didn't really matter what credentials you brought with you. You would probably be maybe in the typing pool with your first goal being how to, how to get the hell out of the piping pool.

There are different pieces of the agency. I worked in a technical, a big directorate. The women that came into that directorate with degrees in chemistry and engineering and physics, they would start not as secretaries. They would start as professional, whatever they had trained for. Anything short of that, that you could come in with languages like Jean Ver who ended up, she was the one who discovered Aldrich James was our traitor.

She started as a secretary, ended up as Chief of Station. She was a unique one-off most women in the director of operations where I started out, most women could not get into the real work. 'cause the real work was done by men. And they thought that women didn't have any value in that field. In doing that work.

They thought that the men that we worked with, the foreigners, the assets, we called them, the people that were providing the information to us, the intelligence to us, they said in huge parts of the world, women have no value. They're not gonna listen to you. They're not gonna risk their life working for your assurances.

They're not stupid. They're not gonna do that. Women over the years have proved them to be wrong. I don't think that that balance has been righted yet. I think it's being righted as we speak. But that was, it was a huge problem. And the only way, the way I found to get past that was to just kind of elbow my way through it to just make a point of saying, I can do that and can I, you know, asking, can I do that?

Sure. You know, first time I, I went out of the street and did work. It was because there was nobody there but me. So I went out and did what would turned out to be a, a unique, one of a kind, interesting, complicated operation. And that was like in my bona fee days. And it was like, well, okay, you can do that.

And you had to, every step of the way, you had to prove that you could take care of it. A lot of women just spent their careers as secretaries.

[00:15:34] Jordan Harbinger: It seems like an uphill battle. It would just be easier to spend your career as a secretary. 'cause otherwise, like you said, you gotta throw elbows and it's like, well, that just might get tiring.

Or you have a bunch of kids and you're like, I can't throw elbows and have kids. There's a difference between going for a jog outside and going for a jog outside with a 40 pound backpack. Right. One is significantly harder than the other. And it sounds like they just, if you walk in and you're not a guy, they just hand you your backpack.

Can we do a quick sidebar on Aldridge James, because we mentioned him twice and some people might know that he's a, a famous traitor against the United States, but other people are like, what is that? It sounds like a brand of furniture.

[00:16:08] Jonna Mendez: Uh, yeah. Aldridge James was one of the moments in CIA's history that everybody would like to erase.

He was a CIA officer. He was a second generation. His father had been a CIA officer from the beginning of his career. He was kind of not measuring up. Everybody seemed to know it, but I. They could live with it. He didn't excel. And generally, this sounds ridiculous. Our people do excel. That's why we hire them.

We hire the kind of type i a personalities to go out and do this work for the work that he was headed to do. It's all about your interpersonal skills. It's human, it's person to person. Technology doesn't really even come in. It's you looking the other guy in the eye and, and saying, you know, we'd really like you to help us.

And anyway, how he prospered at that job, I don't know. He was very, very smart. But he was in Latin America and he was getting divorced from a wife. He left up here and he had met a Latin American woman. Uh, he was dating her and somewhere in there in the middle of that divorce and his, his new relationship, he was in dreadful need of money.

And that's what motivates most American spies, people that spy against us. They do it for money, right? Russians do it for other reasons. They do it very often for ideology. Bob Hanson did it because of business of ego. No one knew how good he was. So to prove to them how good he was, he had to become a spy.

And they didn't catch him for 10 or more years. But Alrich James, he was sort of selling pounds of flesh for gold is how we thought of it. Afterwards, he was giving away every foreign asset that he had ever worked with. He gave the name to the Russians. The Russians would arrest that person, give him a little mock trial and execute them.

And in the summer of 1985, I think about 12 of the Russians who were working for the CIA giving us information on everything from, oh, I don't know, the nuclear program, everything. They were all dead because of Alder James. He was our worst case scenario, total traitor.

[00:18:13] Jordan Harbinger: And now he's spending the rest of his life in Indiana in a maximum security prison.

Uh, I think it's some maximum security prison. And he's been there. He's 82, so I can't imagine he's gonna last too much longer. He's been there since 1994.

[00:18:25] Jonna Mendez: I hope he lasts forever because his life must be so dreadful. It's well earned. It's, it's too bad you can't, can't enact more than a life.

[00:18:32] Jordan Harbinger: Yeah. I mean he is responsible for the death of 12 people.

He should do 12 lifetimes.

[00:18:37] Jonna Mendez: Yeah. Memorable people,

[00:18:38] Jordan Harbinger: I look this up by the way. I remember there was a reason why people spy, right? It's mice is the mnemonic device. Money, ideology, compromise and ego. I really, I don't really know what compromise means. Uh, I suppose maybe they're being blackmailed somehow

[00:18:51] Jonna Mendez: for a long time.

It could be homosexuality. If you were gay, you could not work at this CIA. And then they changed the rule because someone, someone figured out that if you were openly gay, you couldn't be compromised because of your, and okay, now you can come in and

[00:19:07] Jordan Harbinger: work fast. Yeah.

[00:19:07] Jonna Mendez: But there, you know, there are lots of ways that people can be compromised.

The problem with that was that compromise didn't work very well as a tool that we could use. We didn't use compromise as a rationale, but money. Money was the big thing. And the ego, because the ego could be everything from you got passed over for promotion and you thought you really deserved it. To, uh, have to do with money, have to do with a lot of things.

Yeah. What motivates people is interesting. The Russians were the most interesting because, 'cause that kind of didn't apply to them mostly. They were not looking for money. A lot of them were looking for an opportunity to get their families, or especially their kids out of Russia, get 'em to the west, get 'em into western schools, give them a life.

That was a motivator for a Russian. A lot of Russians, their family structure is so sound, they go back a couple of generations further than we do. They remembered what Stalin had done to various members of their family. So and so was an orphan. So and so lost both parents because of Stalin. The mother spent the rest of her life in Siberia.

Terrible stories. And these Russians, they remember those stories. They would betray their country because of those stories.

[00:20:19] Jordan Harbinger: There's also something to be said for, I can't leave and I don't want my kids to grow up in this. You might have qualms with the United States, but there are things you could do to get your kids in a better position through hard work, some luck.

And so, you know, maybe you have to do things that are unfair, work extra hard, harder than you should to get out of it. But it's not literally impossible like it was in the Soviet Union, right, where they had this sort of like, I think it's called blood system that says a lot about the system that people complain so much about here.

That's a sidebar. I don't necessarily, that's a road. I don't necessarily wanna go down in this episode 'cause you have so much to say. About some of your early training in the CIA, some of this is just bananas, right? They finally let you into these higher level meetings and take courses on clandestine work, and there's one where you describe it's, it almost sounds like a circus actor in some sort of harness on an airplane with no doors taking photos.

Can you tell us about that? That sounds like something I would just never, ever wanna do.

[00:21:05] Jonna Mendez: Yeah. It was a, that was my first photo training exercise. I worked for the director of technical service and I told him I thought I might leave and he knew that I was an avid amateur photographer and he said, there's probably more here than, than this secretarial job you're doing.

Said, why don't you take some of our photo courses? I said, yes. The first course I took was, um, called Airborne Platforms. That was the name of it. It was involved with stabilizing a camera with a lens. The lens already by itself wanted to move 'cause it was a really long lens, like a thousand millimeter.

And even holding that lens, it wants to bob around. You have to be very careful with it. But doing that from a moving airplane at a door, which they had kindly removed so you didn't have to bother with it. And so there's a little wind, there's that lens, there's the airplane bouncing, and the question would be, I think I put in the book, can you resolve the license plate on that truck driving down that dirt road below you at 60 miles an hour?

Can you make out the license plate? That was just one of, you know, we were looking at railroad track signals. We were just, what kind of intelligence could you capture with your camera from a moving platform like that? I actually thought that was one of the most fun courses I ever took. I said to the pilot, hello, can you and I go in this plane?

And we were like, out over the Chesapeake Bay. I could have put my foot out and got my toe back.

[00:22:29] Jordan Harbinger: Oh my God. That gives me the heebie-jeebies for sure.

[00:22:33] Jonna Mendez: Oh, and, and they had painted out the numbers on the tail of the plane. I think they did. I wasn't the only person they ever took on that course, but. They didn't want that plane to be identified.

So there were no numbers in the tail. It was great fun. And then that evening I went in, um, I was a secretary when this happened for the director of my office. And that evening we went to these big photo labs that we had at a place called the Farm. I. I was the only one there. Turned out all the safe lights on developing the film and hanging it up, uh, the Prince and I thought, well, hey, this is way more fun than being a secretary.

And I decided that night that I wouldn't go talk to the Smithsonian about a job. That I would stay at the ccia a and pursue this photo thing. This, that day was the day that I used to say was the first day I worked for the CIA. My professional career started that day. It was a big deal.

[00:23:22] Jordan Harbinger: Oh man. It really illustrates how manual intelligence gathering was back then.

'cause if you want a license plate now you tell a satellite to go get it and it'll take a high res photo from space. And here you gotta chase a car with an airplane and a whatever, what was it? A a thousand millimeter lens while you're swinging around from a vibrating aircraft and there's a cloud of dust.

'cause the car, like you said, is driving 60 miles an hour down some dirt road. And it's just like, that was just, there was an art to things back then that maybe is different

[00:23:48] Jonna Mendez: now. Oh, technology is clearly made, made a huge difference. It's offered a whole new set of tools that can be used by you or against you or for you, depending on what you wanna do.

The technology has opened up windows we never dreamed of. It's given us opportunities to do things we never dreamed of. People are very aware of the threat that that technology can play, uh, threat to American intelligence, threats to American military. And it's true, but people don't stop to think. If you turn that threat around, how can you use it?

What can it do for you as opposed to, to you? And that's where a lot of our technical expertise would come into play. Even today, maybe, especially today, the office that I worked in was like q we had all kinds of techs. One half of the office was technical. It was chemists and physicists and, and engineers, electrical and mechanical.

People with such esoteric specialties, you would try and imagine what kind of career they would have outside of CIA. Who else in the world would let one person spend a whole career doing nothing but ink? Ink? It was so important. It was the bottom line to a lot of the things we did in had to be just right.

So we were like that. The other half of the office was my half, which was people who would deploy those tools, who would take them to the field, who would hand them to James. And we always kinda sort of an inside joke. We called them all James, all the case officers, they were all guys. We kinda called them all James.

And part of us didn't trust James with our gear. 'cause we might've spent $5 million on a program to develop that camera system that fit into a Mo Blanc pen. And now you're asking us to just hand it to James and he's gonna. Go somewhere. We usually figured out how to go with him. So if he broke it, we could fix it.

If he lost it, we could find it. If he forgot how to operate it, we could refresh him. It was a little inside joke. If he left it on the subway, maybe we could go get it. So we traveled around with James. We not only equipped him and we trained him, but we also very often accompanied him.

[00:26:05] Jordan Harbinger: That lifestyle must have just been epic.

I mean, so tell me for example, about Berlin in the eighties, the height of the Cold War, that city was just full of spies. It probably, who knows, maybe it still is. It's full of spies. There's underground tunnels. People are trying to escape from one side to the other. It's just absolutely bonkers. It's that place must have just been such a hotbed and so fascinating.

[00:26:25] Jonna Mendez: It was surreal, uh, to actually go there, to be there. It was surreal from the moment they put that wall up. I don't know what kind of a reaction they expected from the rest of the world. I think they expected more than they got. The world just kind of sat and watched and it's like, well, you know, okay, there's a wall.

To keep their people in. That was kind of the big revelation, was the purpose of the wall was not to keep us out, it was to keep East Berliners in East Berlin, not let them wander over to the west and God knows, betray their country. Uh, when I would go up there, going into the east was not an easy thing to do, and every vehicle, every person, every document to cross that border at Checkpoint Charlie or at a couple of other places was administratively.

It was a just a classy, bureaucratic mess. But when I really saw, it was when, uh, one of our officers, very, very senior officer at CIA, he was up there and I was there at the same time and, and they had laid on a helicopter tour of the wall for him and I went along. We're looking now down at that no man's land from the wall to where civilian Germany started and it was just.

Guns in place. It was dogs on chains that could run a half a mile either direction. It was guns that were in the ground. They would shoot a spray of bullets in a 360 degree and they were noise activated. It was just like all the different ways you could kill a person if they dared to put a foot on that ground.

We flew over a couple of bridges because the, the wall crosses a couple of bridges and you'd notice that on each side of whatever crossing there was there, there were embedded in the water. There were platforms with spikes, nails, so if anybody was on a train or a subway or whatever and tried to jump while they'd be impaled, there was no way out of there.

And the guys in the guns, in the towers giving you dirty looks that. And themselves were scary. It was, uh, it was amazing.

[00:28:31] Jordan Harbinger: Well, you'll probably never have a job that's as cool as John Mendez's job, but you can console yourself with something from the fine products and services that support this show.

We'll be right back. This episode is sponsored in part by Constant Contact. If you ever feel like you need a marketing degree to tackle small business marketing, you need to check out Constant Contact. Constant Contact is not just any marketing platform. It's an award-winning powerhouse that has helped millions of small businesses go from blending in to standing out.

Whether it's firing off engaging emails, managing your social media posts, sending SMS messages, organizing events, it's all at your fingertips. Worried you're not a marketing guru, join the club, but it's no problem. Constant Contact has intuitive writing assistance tools and smart automation features that help you deliver the right message at the right time, every single time.

Plus, with a 97% deliverability rate, you can send emails knowing they are actually going to reach your customer's inbox. One thing I think is great about Constant Contact is how streamlined it is. Manage everything from one place. And if you ever need a bit of guidance, you hit a snag. Their award-winning customer support is always ready to help you out.

They're so confident and their service, they offer a 30 day money back guarantee.

[00:29:34] Jen Harbinger: So get going and start growing your business today with a free trial@constantcontact.com. Constant contact helping the small stand tall.

[00:29:42] Jordan Harbinger: This episode of the Jordan Harbinger Show is brought to you by booking.com. Booking dot.

Yeah. It's finally time for summer travel. We're looking forward to taking a couple months off to spend with the kids, and booking.com offers so many possibilities across the us. You have 18 summers with your kids. They're probably not gonna wanna hang out with you for many of those anyway. So in a couple weeks we're taking our two and four year olds on an adventure to San Diego, hitting up the zoo, channeling our inner childhood a little bit.

I never got to do a lot of this stuff as a kid 'cause we had a cottage, which was the most boring place on earth. Uh, anyway, I don't know who's more excited, me or the kids Booking dot com's wide breadth of places to stay across the US makes booking whoever you wanna be this summer. So easy. Whether you wanna party it up in Vegas or you want some island vibes in Hawaii, explore the plethora of options from boutique hotels to oceanfront resorts on booking.com.

What are you waiting for this summer? You can book whoever you want to be on booking.com. Booking dot, yeah, book now with booking.com. If you're wondering how I managed to book all these great authors, thinkers, creators, spies every single week. It's because of my network and I'm teaching you how to build your network for free over@sixminutenetworking.com.

I know you're like, I don't need to network, or I'm already really good at this. Sure. I taught this to the CIA. I've taught this to MI six. I've taught this to actual spy agencies. If they need it, I'm gonna go ahead and say that you need it, even though you think you're exempt from this because you're a lawyer or something, and many of the guests on the show already subscribe and contribute to the course.

Come on and join us. You'll be in smart company where you of course belong. And these are non cringey, non awkward strategies, very practical stuff, and it just takes a few minutes a day. If you don't get anything out of it, I will give you a full refund because the course is free over@sixminutenetworking.com.

Alright, now back to Jona Mendez. So there's definitely people listening right now who are a little confused. Okay. So when Germany was split east and west. They, the allies and, uh, the Soviets, you could say, I suppose split Berlin in half 'cause it was a major city. And then people were leaving East Berlin, which was the under Soviet control because, you know, it was like occupied by a sort of Soviet satellite state of East Germany.

So they were going to the western side of Berlin that was built nicely and had freedom and, you know, freedom of movement and had a lot of goods and everything. So they decided to build a wall to keep the people inside the eastern side of Berlin. And it wasn't just a wall that you could walk up and touch.

I, you could, if you were on the west side, you could walk up and touch and spray paint and it's got some famous graffiti and you go see it now. It's really interesting. But I. On the east side. Yeah, there's water, there's a big minefield, gun in placements. All the things that John is talking about to keep Germans, east, Germans from going out of East Germany or East Berlin.

And there's an awesome museum in Berlin that I'm sure you've seen called Checkpoint Charlie Museum that has, it's, by the way, it's my favorite museum in the world. It's where all the escape attempts successful and otherwise are cataloged and people made like hot air balloons outta bedsheets to try and fly over the wall and outta the city.

They made little submarines that had little tanks on them so they could go under the river around those platforms you just talked about, around the water. Try to go from one side to the other. And the reason they have this stuff at the museum is some of these people got caught, others didn't, and there's a whole huge list of names of people who made it somewhat near the wall and then ended up getting shot or ended up getting blown up, or, I don't know, attacked by dogs and died in the process of trying to get to the other side.

So. It's actually, there was one that I remember that was burned into my mind of the stuff you talk about in your book where there, there's a car and in the seat of the car they had sewn a person inside the car seat and then the driver sat on that person and they drove out of East Berlin.

[00:33:08] Jonna Mendez: That was one of the more desperate car modifications that I ever heard of.

[00:33:12] Jordan Harbinger: Yeah.

[00:33:13] Jonna Mendez: But it worked.

[00:33:13] Jordan Harbinger: Yeah.

[00:33:14] Jonna Mendez: You know, whatever works is what you're, after there, there were lots of issues with cars and that's why the cars were examined so carefully. We had thermal blankets so they, they wouldn't see body heat if they were, if they had sensors looking for body heat. There were a thousand ways to, to modify a car.

There were lots of ways to try and get people out, but tunnels, tunnels were the choice. The CIA dug a lot of really great tunnels. My office was in charge of tunnels. That was one of the things that we did. We did not dig any tunnels under the wall. The, the West Germans, the young students, they dug hundreds of tunnels under the wall, and there's somewhere, there's numbers of how many people they got out with their tunnels.

It was amazing. Totally amateur, just furious. They had family on the other side of that wall that they wanted to rescue them. They went in and, uh, got a lot of people out that way, but like you said, a lot of other people didn't come out that way, and they, they died trying to cross that field. I gave a talk once at West Point about the Cold War, the end of the Cold War, about the fall of the Berlin Wall, and we were talking about what brought it down.

It was commonly accepted that we didn't pull it down. They pushed it down from the east. They pushed it down and came across, and part of the question was, well, why? I mean, what was it they wanted? I was pointing out rock and roll music, trying to make a connection. And I, I thought it was a pretty good connection because there were a lot of big, big bands, the big rock and roll bands, rolling Stones.

They'd do concerts in Berlin. They always made a point of, of having the concerts by the wall. They'd point the speakers this western rock and roll music and they'd blast it, you know, over the wall. And they'd have actually an audience in East Berlin, in great places where you could hear the music. They could also see Western TV in East Berlin.

And those kinds of things were just, they couldn't touch it. They knew it was there, they could hear it. They kinda see it on tv. They want it outta there.

[00:35:10] Jordan Harbinger: Yeah, I was an exchange student in the former East Germany back in the nineties, and my host father, he talks about. You'd find out through the grapevine.

'cause of course it would be pretty hard to find out. I mean, you'd find out the Rolling Stones. Were doing a concert in Berlin via somebody who heard, somebody who heard something on Western Radio that they, you know, got from across the border. You'd take the train and go to Berlin, you'd go to, either somebody had an apartment and it was asked to elbow in the apartment, or you'd go hang out on the street.

But the cops were everywhere. Right? Get outta here. No loitering. Because they're like, we know what you're up to. And you couldn't just sit there and jam. And he also said that him and his friends, they would make these humongous antennas and put them on top of their house so that they could get Western tv.

And it was like technically illegal, but it wasn't really enforced, I guess. 'cause you gotta pick your battles. So, so what if people are watching Western tv? But there was a division of like, I, I don't know, commie boy scouts that would climb up your house with a saw, saw the antenna down and then you'd have to build it again.

'cause they didn't, I guess they didn't want foreign influence. I mean, it's basically tanky would go up and saw your antenna down. But yeah, those concerts, man, they were something, I mean you, you hear about it from like music loving East Germans like my host father who really were interested in that. And the only Germans, ironically that don't love David Hasselhoff, they all knew kind of when that was gonna happen.

And it was just like the trains were packed with people to go hang out and do nothing in Berlin. 'cause you didn't tell the cops what you were doing. Like, oh yeah, I'm going to visit my cousin, I'm going shopping. It's like, why are there 3000 kids on this train?

[00:36:31] Jonna Mendez: I wonder if Taylor Swift had been around, maybe she could have broken the wall all by herself.

[00:36:36] Jordan Harbinger: Yeah. Maybe I, she can go try it in North Korea. She can go play at the DMZ and see what happens when you're abroad. You must know that local and foreign intelligence agencies, they're watching you pretty much all the time. Right? I. So how do you handle counter surveillance? Because as soon as you get there, someone's trying to make you right.

[00:36:51] Jonna Mendez: Well, one way to handle it is with disguise. In my time, working in disguise, that was the number one issue. Deniability was what we were looking for. Either that you weren't an American, certainly that you weren't an American official or an American intelligence officer. With disguise, you could turn yourself into a completely other person from another place, from another nationality speaking, hopefully another language.

Over the years that I was working, I worked for 27 years. When I started disguise, was something nice to have. You'd wanna have like a little DOPP kit in the back of your safe with maybe a wig, a mustache, glasses. I don't know. It's a little bit different for each person. The question would come up, you know, would you really use it if you needed it?

Because mostly men, I disguised very few women. It was men, it was men, case officers, and even the foreign assets we're working with were men. And men Don't really wanna put on a wig. I don't know if you've ever had a wig on.

[00:37:49] Jordan Harbinger: No. It sounds really uncomfortable and hot.

[00:37:52] Jonna Mendez: Yeah. A US Marine would just walk outta the room if you even mentioned putting a wig on him.

But in the time that I was there, things changed. We started working, um, against different categories of people. Maybe not always embassies or diplomatic events, but now we're talking about terrorists and we're talking about narcotics, and we're talking about people who are armed and have every reason in the world to shoot us if they think we're coming for 'em.

At one point, there's a, a scene in the book where I'm in Latin America, I think I'm in the drug capital of the world. In this town where it was dangerous, I was told I was taken to work in an armored car every day. I was just working at the embassy on that trip, but it was just considered to be really, really dangerous.

I was there to take a group of people who were American and make 'em look Latin, which is pretty easy. Dark hair, dark eyes, contacts, dark skin, not hard to do. Restyle 'em a little bit and out of the street, you couldn't tell our guys from their guys, they didn't all speak Spanish, so those guys were told just to shut up.

But then I was walking down the street one night going, uh, to a kiosk to get cigarettes. I'm dressed for work. I'm wearing stilettos and a business suit, and, and I'm a gringo. I'm a, a woman who doesn't belong in that city and doesn't, certainly doesn't belong in that street. I was walking down and I bump into this, this group of guys who were just standing around.

There were maybe a dozen of them and they, you could smell the beer halfway down the block and you could see the guns. They all had guns and I figured, you know, this is the cartel. Pretty much, pretty sure this is the cartel. I knew the cartel would care less, so they all turned and looked at me. You could almost hear their brains going like, huh, who's that?

DEA sending women? Now, they weren't concerned at all about CIA. They're worried about drug enforcement agency coming down after then. I don't think they're sending, I don't think it's DEA, but she's a gringo. What's she doing here? And she's working and where's she working? And I thought, you know what? They just might just shoot me if they've had enough beer and if they're worried enough about who I am and why in the world am I walking down this street starting to get dark?

I shouldn't be there. Well, I had all these training courses that I used to think were a little silly, and one of my training courses told me in a scenario like that, you don't have any choices. You just do not turn around. You just walk through 'em. And that's what I did. It's one of the scariest things I ever did.

And then walking away from them, you don't know. You don't know if it worked. So being out on the street. When you go to a foreign country, you have to think it through before you go. If it's a hostile country, then you have to think on another level. If it's a country, if it's just say it's Moscow. Oh, well, Moscow has like dedicated teams for every American in that embassy that will come out.

They have a team somewhere in a warming room. If it's winter, they have a team waiting. If their person comes out, they can scramble. If their person's in a car, they've got a car on foot, they're on foot, and they'll just stay with you. Their goal is they don't really care if you know they're there. Their goal is to keep you from doing whatever it is you have in mind.

Making a phone call, putting up a signal, putting down a dead drop, or God forbid, meeting with one of their Russian colleagues and collecting information. Their goal was to keep you from doing anything. So if you're visiting there, you need to have a plan. When you come into the country, what are you gonna do when you, you walk out the door of the embassy knowing that they're gonna be with you?

What are you gonna do about that? And we spend a lot of time developing options. They could do about that.

[00:41:30] Jordan Harbinger: Somebody I know who was in North Korea, which is another denied access area with no US Embassy, this is not an American, she was saying that every time she left their little compound or whatever where she worked, they would follow her and she'd turn around and they'd be pretending to talk on their cell phone or something really clunky.

It's like they don't really care if you see 'em kind of thing. So what she did is she realized, alright, these guys all have pot bellies, they're smokers. So she decided to jog. She said these guys would follow her and they'd be wearing like dress shoes and a button down and it's hot in the summer. And she'd go out for a jog in Pyongyang, North Korea.

And she, and they'd have to run after her. And she said she turned around once and she saw this guy with a cigarette in his mouth dangling out of his mouth, buttoned down shirt, potbelly, kind of hanging out in dress shoes, just doing his damnedest to keep up with her. Pretending he's jogging too. And she's just like, it's so clunky.

They don't care if they get spotted because it's like this pathetic. There's no cover whatsoever. He is just at that point, he's just chasing her.

[00:42:22] Jonna Mendez: I love these stories. We had a chief of station in Moscow, famous CIA officer named um, Jack Downey. They ended up calling him back from retirement to Langley to help them devise some new scenarios.

But Jack was a runner. He, he was a serious athlete, spoke fluent Chinese, spoke fluent Russian. But when he was in Moscow, he was chief station and he set a pattern of running every morning, exactly what you're talking about with your acquaintance. But he was a real runner. I mean, he would run two or three miles in the morning every morning.

He was also an ex-Marine. And so what he did is he set a pattern that his team, they were like, he'll be back in seven minutes. We know this drill. And they stopped following him because, I mean, they didn't have evidently a cadre of runners that they could go every morning. So he, he was able to use that brief time that he'd be away to pick up a dead drop or to put up a signal or to do what he had to do.

I thought that was so clever.

[00:43:20] Jordan Harbinger: That is clever. Like, all right, this guy's tricked us enough times. I'm not falling for this. I'm not running three miles this morning. I'm gonna keep drinking or whatever. And then it's like, all right, I think I shook him. Here's my, I'm gonna stretch on this stump over here and drop something in it.

I guess it just shows that the highest trained people can also become complacent at some point. I wonder if you catch yourself still doing counter-surveillance stuff while you, I, I know you're retired, but do you ever go on vacation and you're just like, oh, let me check for a tail real quick. Or like, Hey, haven't I seen that guy a few too many times.

It's just like gotta be burned into your brain after so many years

[00:43:50] Jonna Mendez: you notice who's around you. I'm not worried about surveillance anymore, but I still, it's very much to know who's out there and, and that whole thing once is a, an accident twice a coincidence. Three times. It's an act of war. We used to laugh when we bumped into that.

We came up with an idea that was a very handy thing to be able to do, and, and, and we demonstrated it once in a podcast. I took my son with me to that one. It was a wired podcast. We were demonstrating what disguise on the run is, and you don't have to be running to do disguise on the run. It's a way of completely changing the way you look while walking down a city street.

And I wouldn't recommend it in China because already we stand out, like whatever, of course. But the demonstration in, uh, New York was, uh, my son walks out of a, an office building at lunch and he's just wearing a blazer, a cotton blazer, shirt and tie, got nothing. He walks down the street, he walks into this crowd and they had a long lens on him from maybe, maybe a block and a half away.

And they're watching him come through this crowd. Just like a surveillance team would. And Jesse, he pulls a bag out of his pocket, one of those grocery store bags, pulls on his tie, it comes off 'cause it's velcroed at the back. Rolls it up, puts it in. Now he pulls on his shirt, his button shirt, which has no sleeves to it 'cause I cut them off and it's opened in the back 'cause I cut it open and it's velcroed and he just pulls it straight down, keeps it close to the body, rolls it up, puts it in the bag.

He's got on a black sleeveless tank underneath. So now he's um, he's wearing the blazer, which is one of those unstructured, just the cotton jacket. He takes that off, rolls it up, puts it in the bag. Then he reaches in his pocket, pulls out another bag, puts the first bag with all this stuff in it, in the second bag, reaches in another pocket.

He pulls out a beanie. He reaches in. Um, I don't know where he had the glasses. He had Raybans puts his raybans on. He had his air pods around his neck. Pulls them up, puts them in his ears, pulls out his cell phone, he's got his music going. He is in a sleeveless tank. He's got full arm tattoos, both sides that I put on him the night before.

One of these just outrageously, just big, big watches that doesn't fit his profile at all. And he is just this guy bopping down the street, all tatted. And you're, you're wondering, where's his skateboard? You know? So if surveillance was following him, he disappeared. This is in, he did this in about 30 seconds, all of it.

He, he disappeared. And you know, surveillance typically doesn't follow your face at all. They follow your profile. The whole point here is change your profile and they won't know where you went and they'll think it's their fault. So it's not provocative.

[00:46:33] Jordan Harbinger: That's so interesting, man. I know there's a bit of a non sequitur, but do foreign intelligence agencies often underestimate women, and can you take advantage of that as well?

Like I can imagine you're in the Middle East and they're thinking, oh, like women can't do this job. So you're like, all right, good. Okay. All female cadre, they're gonna get overlooked. They're all dressed the same as the local women. They're covered from head to toe. I mean, that's gotta make things trickier for those guys if they're trying to follow you around.

[00:46:55] Jonna Mendez: We like to dress them like the local men, well, and the local women. But Shoar Kames is very forgiven. You really don't know who's in there, what's in there. So, uh, we discovered that we could, our women could move around at night because up to then that was very problematic. The burka, of course, is, is the greatest disguise God ever invented.

You can put anybody anything inside that burka in Pakistan. And I think in Afghanistan, it's pretty much a shooting offense. To try and take a peek. Even in a truck crossing the border, you've got a driver. He's probably got all kinds of materials in that truck that he's gonna sell on the other side of the border, and he's got his wife sitting next to him in burka.

That was just the greatest disguise scenario ever because the border people would never ask that driver to show her face and they would never ask her to speak. It just goes against all their rules. Burka was great. Disguise

[00:47:51] Jordan Harbinger: as far as cover stories are concerned, what sort of cover stories could you even be using back then?

It seems unusual for anybody back then, let's say the seventies, to travel alone to the Middle East, especially a lone woman. So what sort of story is good enough to be passable but also too little to follow up on or be uninteresting enough that people would accept it, but then just not care to ask more?

[00:48:13] Jonna Mendez: Well, for me, an easy way to do it was to take a bunch of cameras and to be a, be a photographer.

[00:48:17] Jordan Harbinger: Okay.

[00:48:18] Jonna Mendez: That was a natural cover for me, for, uh, women that are just traveling. I don't know. You have to put together a scenario, either a, a business thing or a colleague or a family connection or a, you have to build something that they can live with.

Usually the issue wasn't women because again, our operatives pretty much men, that was the piece of business that was so denied to the women to come up with cover of stories for the men was relatively simple. Their businesses, their

[00:48:49] Jordan Harbinger: executives.

[00:48:49] Jonna Mendez: I know one person we disguised as a Jordanian pipe fitter.

It just happened that he could talk about pipe fitting. He actually knew something about it, and all we had to do was change his teeth and change his nose, and he looked like a Jordanian. You just, the piece that's always missing in these conversations is that the real work, the real work in our office in OTS was solving problems.

People would come to us and say, I'm going on a trip. This is where I'm gonna be. This is how long I'm gonna be there. I'm not sure how to configure this, but I, I need to be able to do this and do this and meet with this person. So what have you got for me? What can you give me in the way of documents you need?

New documents. My husband Tony Mendez, was hired on as a counterfeit or forger. He was a fine artist when they hired him, but he could make you anything that you needed and he could make it as good as it needed to be. Or you could cross an international border with those documents. So is it documents?

Here's our document guy. If it's disguised, here's, we've got labs, we can work with you, we can turn you into anybody you wanna be. There's a little bit of a fantasy land.

[00:49:54] Jordan Harbinger: What are the limits of disguise? Right? Because in the book you say. These makeup techniques could help people blend into, say, apartheid South Africa or obscure the presence of a westerner in North Korea.

Are you saying you can make a white person look like an Asian? Because if so, that is, that's really incredible. Like I, I imagine you can't turn a white person into a person that looks like they're from Africa, but white to Asian maybe, I don't know. Like you mentioned, white to Latin American. Okay. What are the limits of this realistically

[00:50:21] Jonna Mendez: might be white to Asian.

I mean, we had masks didn't used to talk about masks. They were, they were kind of off limits and it was fine with me. I didn't talk about masks until about seven or eight years ago when for some reason it's okay. The CIA's okay about that. They're okay about me writing about masks tells me that we're not, either we're not using masks or we're not using them in the same way, or they're not made the same way.

So I can talk about masks. We couldn't, I, we never made a mask that we could turn a Caucasian person into an Asian person. Think Chinese. The fit around the eyes is one of the most important thing with those masks and the shape and the fit. It wasn't gonna work in terms of, um, makeup that also wouldn't work with an Asian.

So we would probably just not even attempt to do that. When I was working there, I never knew that we did before Covid, we used to use those face masks that, you know, just the face masks that you would use with Covid, that kind of mask, because those were common in China. Those were common. I don't know if you remember your history, but there was so much pollution in China.

You couldn't see the buildings on the next block because it was just, it was just a haze. Everybody was wearing those masks. And that was a good start because if that was the case and it, if it was daytime, you could do sunglasses, you could do dark hair, you could, but our people were too tall. Our people would always stand out in those crowds.

That was part of the operation. This operation has to somehow accommodate that fact that our people, not that they'd be recognizable individually, but as a type, we didn't fit into their, and they didn't fit in to our environment either.

[00:52:06] Jordan Harbinger: You mentioned working with local agents and things like that.

There's a part in the book where you talk about the mujahideen and Afghanistan. I assume you're not supposed to get too close to these people, but I wonder if they're ever on your mind years later. 'cause I think, I'm thinking if I'm in your shoes, I would be so curious if the people I've trained and interfaced with, let's say in the nineties we're even still alive

[00:52:26] Jonna Mendez: in the book.

Um, I ended up training this young mujahideen who was in the States just briefly. I never knew all the parameters of why he was here and what else he was doing. My piece of it was to train him and using a camera with a long lens. He was out in the desert. He had a reason to be there. That's where he operated.

He was on a horseback. And of course, like most Afghans, he was bitterly against the Soviets. But because of where he was, he would see the planes coming over. He would, every once in a while, see some of the weaponry. He was in a great position to take some photographs if he just knew how to do it. We were interested in the, uh, in the planes.

So I took him over by Reagan International Airport, Arlington Cemetery, and taught him how to use the long lens, how to pan, how to capture those moving objects, how to do still photography, how to take something universal like a pack of cigarettes or a coin, and put it in the picture so we could figure out the size of things.

He was amazed that the CIA would send a woman to train him, you know, he'd been brought up to all the women he knew were behind the veil and couldn't go out without their, their male. Sponsors. So we had a couple of long talks. His English wasn't that good, but it got better while he was there. He and his, I think it was his uncle, they were working, they were being paid with medicine.

They were being paid crates of medicine to treat their colleagues. There was no money involved. I loved training him and yeah, I, I thought about him because the Muja of course flipped and then they became our enemy and we were shooting each other. So after all of that transpired, I ended up going to p unrelated to photography.

But while I was there, I went into this kind of cavernous room and around the edge of that room where mujahideen, all of them in their uniforms, all of them with their guns, they're sitting on the floor with their backs against the wall. Half of them were asleep. They had like almost come off of a field, a battlefield.

This was a little bit of r and r. They were having. I was just struck and I started thinking about that young kid and wondering if, if he was in that room, you put 'em all in the same uniform and had 'em all the same gun. They're all kind of the same height. They look a lot alike. But yeah, I used to worry about him.

He changed. Um, we wrote a book called The Moscow Rules, and at the front of that book, we list the rules. There were 42 of them, and we added a rule to never fall in love with your agent. And we didn't mean romantic love, we meant don't get too close to them. You can't. It's like you and your dentist or you and your doctor.

You have a very pleasant relationship. But it should not get too personal, not from our point of view, because, uh, it could blur your vision. You could make the wrong decisions.

[00:55:20] Jordan Harbinger: Now for something that's not top secret, shout it from the rooftops. Great deals on the products and services that support this show.

We'll be right back. This episode is sponsored in part by ramp. Are you looking to get a grip on your business? Finances from trimming expenses to streamlining accounting ramp is something you gotta check out. It's not a corporate card, but it's not just a corporate card. It's a full blown spend management system that saves you both time and money.

And with RAMP, you get total control over your company's spending, so you can hand out cards with custom limits to your team. Simplify the entire expense reporting process. There's no need to track down receipts. Ramp does it for you Automatically categorizing everything in real time, helping you close your books up to eight times faster.

RAMP is not just about convenience, it's also about cutting costs. Most businesses see an average savings of 5% in their first year alone, and getting started with full features takes about 15 minutes. No matter how big your team is. I really wish we had something like ramp. In my last business. We were always battling runaway expenses.

Keeping tabs on everything was basically impossible. If we'd had ramp, well, we would've saved a heck of a lot of money.

[00:56:19] Jen Harbinger: And now get $250 when you join ramp. Just go to ramp.com/jordan ramp.com/jordan. That's RA mp.com/jordan. Cards issued by Sutton Bank and Celtic Bank members FDIC. Terms and conditions apply.

[00:56:32] Jordan Harbinger: This episode is also sponsored by AG One. It's important to me that the supplements I take are of the highest quality, and that's why for a long time now been drinking a G one. Unlike many supplement brands, ag One's Formula has undergone 52 iterations, continually refining their sourcing and testing to ensure the finest ingredients.

Quality for Ag One is not just a buzzword, it's a commitment backed by expert led scientific research, high quality ingredients, industry leading, manufacturing, and rigorous testing at each step of the process. AG G one goes above and beyond industry standards. A G one is also NSF certified for Sports, one of the most rigorous independent quality and safety certification programs in the supplement industry.

So you'd bes actually surprised a lot of supplement brands just do not do that at all. Taking care of your health doesn't need to be complicated. AG one simplifies this by making it one scoop a day. AG one's ingredients are heavily researched for efficacy and quality, and it's great that every scoop includes prebiotics, probiotics, digestive enzymes, et cetera.

It's basically a multivitamin that you drank, y'all.

[00:57:25] Jen Harbinger: So if you wanna replace your multivitamin and more, start with a one, try a one and get a free one year supply of Vitamin D three, K two, and five free Ag one travel packs with your first subscription@drinkagone.com slash Jordan. That's drink ag one.com/jordan and check it out.

[00:57:41] Jordan Harbinger: If you like this episode of the show, I invite you to do what other smart and considerate, and probably very good looking listeners do, which is take a moment and support our sponsors. All of the deals, discount codes, and ways to support the show are searchable and clickable over at Jordan harbinger.com/deals.

I'm happy to surface codes for you. If you can't find it, the code's not working, you're not sure if it exists, email meJordan@jordanharbinger.com. We're happy to surface that for you because it is that important that you support those who support the show. Now for the rest of my conversation with Jona Mendez, it seems like you dealt with a lot more than just misogyny and casual sexism during your training.

I. I mean, there was a guy who threw a grenade at you on a firing range. That's pretty intense. And there were a lot of attempts to sabotage your performance while you were at the ccia. A for example, the guy who told you, I think he said something like, oh, it's a photo mission, but it was actually a disguise mission.

So you came in with a bunch of cameras and film or whatever, and then you didn't have any of the stuff you needed to create a disguise. So you basically had to create stuff out of, what was it, stuff people had in their luggage or whatever. And I wonder, and I'm not excusing this behavior at all, obviously, but do you think being challenged like that made you better at what you did?

In some ways,

[00:58:47] Jonna Mendez: I think it made me more determined, you know, to not put up with that kind of behavior. It was all around you. And like you said at the beginning of this conversation, this wasn't just the CIA, this was going on in the American workplace writ large, right? Yeah. My mom worked at Boeing her entire life.

She had the same kind of thing happening. I picked up Michelle Obama's book somewhere in the middle of writing mine, and she's talking about how she couldn't get a loan or a mortgage. This was in the seventies. Without her husband. There was a lot of this going on and a lot of women just decided to tough it out and keep pushing ahead.

I don't know, the guy didn't throw a grenade at me. He rolled it at me and he had disarmed it, so it couldn't hurt me. What it could do is scare me, which it did the loudest bang I ever heard in my

[00:59:34] Jordan Harbinger: life. But, you know, 6 0 1, half dozen the other.

[00:59:36] Jonna Mendez: I just wanna make sure I don't have a, the wrong impression there.

[00:59:39] Jordan Harbinger: Well, it still exploded, right? I mean, it wasn't the full explosion with shrapnel, I guess. I mean, but it still exploded next to you.

[00:59:45] Jonna Mendez: He didn't mean to hurt me. He meant to scare me. And I mean, he did, but he, I think he was expecting that I would run. I think that's what he wanted. He wanted just to see me be a girl on a firing range and run.

And I didn't run. That's why I didn't, I thought, huh, I saw what he was doing. I had no idea it was gonna go off. I just, I'm like, I. He's just trying to spoof me. Then bang. I mean, I couldn't stop shaking for about 15 minutes. I could not stop shaking. It was really scary. The one who, uh, my boss who, uh, on that operation who told me it was all photo, didn't need any disguise stuff.

'cause I could do either one. I could do a lot of things and if I just, I had to know what to pack. 'cause you're on these trips, you're going to places where there, there's no Home Depot and there's no anything, there's no, there's no place to buy film or fixative or, so he said photo. But it was actually disguised That turned out to be probably the biggest operation I ever departed in my life.

And I didn't know it. I didn't get to see the, uh, the paperwork for that operation. He didn't show it to me. Which breaks CIA's rules because you never go off on an operation without personally having read what you need to do. But this happened really quickly and we wrote that operation in a book called, I wrote it in a book called Spy Dust.

It's a great operation. I didn't put it in this most recent book. Because I'd already told the story. Probably should have put it in here and told it again. It was great. It was really great. It was a big deal.

[01:01:12] Jordan Harbinger: I did notice the guy who did this to you, the boss in the book, you call him Smallwood now. Is that his real name or did you give him that nickname?

Because of his, uh, consistent little dick energy as the kids say,

[01:01:24] Jonna Mendez: that is not his real name, but when I gave him that, I just made it, just pulled it outta the air.

[01:01:30] Jordan Harbinger: Okay.

[01:01:31] Jonna Mendez: My younger sister, who, who was the first person to tell me that that means little Dick? Honestly, I had no idea. And if I had known, I probably wouldn't have used that, but I didn't know.

[01:01:45] Jordan Harbinger: Oops.

[01:01:46] Jonna Mendez: I thought it was the name of a cabinetry company in England. I'm not kidding you. So the men in my office, after the book came out, would come over and say, can't believe you called him that. I don't even tell him that I didn't know. I'm like, well, you know, he deserved it.

[01:02:03] Jordan Harbinger: He did. That is so funny. I mean, whatever.

The guy deserved it, right? So if he's still around, good. And if he's passed, oh, well he is not reading the book. I know you worked a lot against the KGB of course, especially in Moscow, which is the focus of the episode that I'm gonna air in a few days here, our, uh, Moscow rules episode. But I'm wondering what's the coolest piece of tech of theirs that you came across?

Because I know that you working in the office of, uh, OTS, office of Technical Services. Am I getting that right? Surely you were looking at what they were making and going, oh, we have a better thing than that, or, oh wow, that's pretty smart. We gotta make our own version of that.

[01:02:34] Jonna Mendez: Well, the coolest thing is, was not the latest thing.

The coolest thing that comes to my mind, it's on display in the International Spy Museum right now was, um, a big wooden seal, hand carved seal, an American Eagle, very elaborate carving, just a beautiful piece of work. And it was presented to the American Ambassador in Moscow by a bunch of Russian school kids in like the fifties group came and they wanted him to have it.

He loved it and he hung it in his office in the embassy, and it's decorative. It's just beautiful. And I mean, somebody would've looked it over to make sure, okay, and they looked on the back, looked at the thing, looked fine, put it up on the wall. Well, it turns out it was an audio bug, but it was a new and novel.

It was so interesting that once it was found, and it hung in the ambassador's office for something like 10 years, and they had security people come through those offices, maybe monthly, and they do sweeps, security sweeps. It never came up. I mean, if there's a bug, you should be able to spot it. It never came up When they found it, they sent it to our audio people and they opened up the back of it, and my God, it's a tuning fork.

It's just a long piece of metal. There are no moving parts to it. How can that be a bug? How can it pick up and transmit audio? We couldn't figure it out. For the longest time, we called it the thing. And in the International Spy Museum behind Glass and prominently displayed the signage, says the thing. It was a new approach to how to capture audio that was so elegant and so sophisticated and so advanced that our own people couldn't recognize it as an audio device.

And this was just a great example kind of, of making something with nothing. 'cause Russia back then didn't have a lot, they didn't have a really robust technological advantage, but that's when we, we started having a little more respect for their technical people.

[01:04:38] Jordan Harbinger: Yeah. Wow. The only thing I can think of, I mean, I don't know if you know how it works, but if it's just vibrating, the only thing I can think of, and I'm no scientist.

It picks up speech and then vibrates at a much higher or much lower frequency than that speech. And then some other device picks up those frequencies that maybe travel easier and decipher that like sort of brings them back down, you know, six octaves or whatever. And it's just so high that you can't hear it.

[01:04:59] Jonna Mendez: I can't tell you. I really don't know. I didn't follow that. That wasn't in my area of expertise.

[01:05:04] Jordan Harbinger: Yeah, I mean, I have no idea. I'm spit balling based on how can a tuning fork pick up vibrations and then transmit them. And the only thing I can think of is it vibrates at frequencies. People can't hear and then it goes through walls and windows and somebody outside is picking up those frequencies and then, you know, they, they sort of downgrade it.

I don't know. Look, if anybody knows how that works, email me because that is so fascinating. That's, I mean, what a cool device and it was there for so long and it doesn't have a battery, right? So that thing was just probably effective the whole time that it was in there for years.

[01:05:33] Jonna Mendez: And the other thing that was going on back then that took years and years and years to start sorting it out.

There was a barrage of microwaves at that American Embassy over the years. Constant, constantly coming in and people were worried about health issues and this and that and the other. I've never followed that either because I'm too far away from it now. I, not something that piques my interest, but I'm looking right now at Havana Syndrome and I'm thinking, huh, I wonder if that has anything to do with the microwaves they used to send into the embassy.

There's a lot going on there.

[01:06:04] Jordan Harbinger: Yeah, that's a, I'm always very curious how that stuff shakes out 'cause it almost sounds psychological, but then you think, okay, they would've probably figured this out by now. It's not like they're not putting any resources towards this. Some of these plots and plans are, are quite funny.

There's, you mentioned in the book there's a plan to create like an Osama bin Laden double and discredit him by going to strip clubs and bars and I just, I couldn't help but think. That's gotta be kind of a funny gig as a CIA agent. Like, okay, put on this mask and glow, blow like 20 k in a strip club and then just get hammered and start walking around, I don't know, Dubai or Berlin or whatever, bouncing to different clubs.

And you would just have a line out the door of guys trying to get that job.

[01:06:39] Jonna Mendez: That's right. Pick me, pick me. That was Tony and I, we actually wrote a memo, uh, after nine 11. We were driving home from New York. I had a yellow line pad and we're just spit balling ideas like what could they do? What could they do?

And where we were was, was the idea of sewing unrest within Al-Qaeda, where they'd start suspecting each other of, maybe it's, it had to be someone within this group. How could they possibly know? We were doing all kinds of crazy ideas. Tony had years earlier at the beginning of Argo, the story, Argo, he had made another Shaw of Iran, actually.

He made two fake Shaws of Iran. So that would be three that existed. The real one and two fakes. The idea was, well, if, if the Iranians were so worried, if they were so upset that their Shaw had come to the United States for cancer treatment, well what if he left and somebody filmed it? Uh, he's not there anymore.

So call your revolution off was one idea, but the idea of doing, um, a double or a triple of someone and then using it in an interesting way, it wasn't unprecedented. We have a picture of Saddam Hussein in a, in a boat. It was about 10 doubles, so it looks like 11 Saddam Hus. There's a history of using doubles for this and that there was also the fact that those terrorists that were actually on the plane and flying it had been in the states and had been going to strip clubs and, and we just thought, well, that breaks every, every rule in their religion and drinking.

So yeah, it, it would've been an interesting, but, um, they didn't wanna do it.

[01:08:11] Jordan Harbinger: They didn't wanna do it. What, do you know why?

[01:08:13] Jonna Mendez: I don't know why I don't think Tony really got behind it. I think it was spit balling, but I'm not sure that we formally, you know, when he took the Argo story forward. He said the hardest part of Argo was not walking them through the airport, it was walking that idea, oh, we're gonna put on a a movie.

We're gonna make a movie, we're gonna have a production company, we're gonna have an office in Hollywood. Taking that idea and moving it through the CIA, he said that was hard.

[01:08:39] Jordan Harbinger: For people who don't know, Argo was the operation, the rescue operation of the US and other hostages who were taken at the embassy in, in Iran.

And what was that? Was that 1979? During the revolution there, they took everybody hostage and they escaped. And if you haven't seen the movie Argo, they essentially escaped because a fake movie production company full of CIA agents came in. And what smuggled everybody out somehow? I mean, what's the five minute version of this?

[01:09:01] Jonna Mendez: Uh, I mean, you made a, a good running.

[01:09:04] Jordan Harbinger: Thanks.

[01:09:04] Jonna Mendez: They took over the Iranians. Uh, they had a revolution. They took over the American embassy. They took the staff of the American Embassy and held them hostage for 444 days, but six of them got away from the embassy and got outside of that perimeter and ended up at the Canadian Ambassador's residence.

Then they were trapped. They couldn't go through the airport. There was no way out. The borders were too far away. So Tony Mendez said, I know we'll disguise them as a Hollywood location scouting crew, and I'll be, I'll be the producer and we're just coming to Iran. 'cause we wanna film in The bizarre.

We're just checking it out. Then we're all gonna leave through the airport and we've got all the fake documents. We've got everything we need. In fact, that's what they did. And those six people came out and all their colleagues stayed for 444 days. Really bad scenario, bad conditions. But the six that were rescued, they were really lucky.

They're still around. They still check in,

[01:10:02] Jordan Harbinger: gosh, what a harrowing story and stuff like this, by the way, is why whenever you go to one of those countries and you're just on a tour looking at fruit or whatever, there's guys following you around and you're thinking, well, why are you following me? I'm a tourist.

I have a backpack on. I'm wearing flip flops. Come on, guys. And the reason is because you just never know. Sure. You're just a kid walking through Central Asia uhhuh. Well, we wanna make sure that you're really just looking at, I don't know, mangoes or passion fruit or whatever, pomegranates. It's like you can just see these.

My buddy went to Iran in 2010. He invited me. I wish I'd gone. He said they just followed him around fruit markets and tourist areas. All day, all night, 24 7. These, I don't know, IRGC or whatever, domestic security guys. And they would just, they would get so annoyed with him shopping in the bazaar that they would just start bumping into him.

'cause they were just sick of being in the market. And he would eventually leave the market, go back to his hotel and they'd just be sitting outside. It was like they just got bored of following him. So they decided to make his life more annoying. But it's because of this, right? It's because they're like, you know, do something shit or get off the pot, man.

Are you a spy or not? We can't tell. We can't leave anything to chance. 'cause last time we trusted somebody to be a Hollywood location scout, they brought a bunch of hostages out.

[01:11:07] Jonna Mendez: Yeah, exactly. Surveillance. If you're the one doing the, the following it, it must become very tedious.

[01:11:12] Jordan Harbinger: I bet God. You said the agency values ENTJ personality types, and I wondered, is that a real thing?

Because that's my personality type. Did I miss my calling as a CIA operative, what is it about ENTJ that makes those people so suitable for field work?

[01:11:28] Jonna Mendez: When I mention that in the book, I'm quoting Valerie Plain. Who is an ENTJ and said in her book, I haven't tested this, but she said a lot of her colleagues in her training class when she came in, there's like a class every year, cts, young professional officers that come on board.

She said a, a good number of them were ENTJ. And she thought that that represented the kind of personality that the CIA values. And there definitely is a personality type that they want. I don't know that it's defined to those four letters in my Brigg, but that type of personality does very well At CIA in operations, a person who has serious interpersonal skills who can engage other people who, who has that personality.

You meet them and, and you're really interested in them and you kind of wanna be their friend. All of a sudden, those kinds of people, we're looking for those kinds of people. And that's a thing that we can't teach. You know, we can teach you everything else, pretty much how to shoot a gun. We could teach you the geography of the country, send you to school, learn the language, we can teach you everything you need to know.

But you need to come in the door. If you wanna be an operations officer, a case officer, you need to kind of bring that sort of a personality in with you. It is a title.

[01:12:39] Jordan Harbinger: That's interesting. Yeah. I do have a lot of introvert tendencies as well, though. I read two books a week. I do tons of research on things.

I need me time to recharge here and there, so I don't know. Uh, I'm on the fence and it's definitely too late for me. I'm 44.

[01:12:50] Jonna Mendez: You're too late to be an operations officer. 32 is pretty much the cutoff. They have so much training to do that by the time you're done, they still wanna get their value out of you.

I would just say that I share all the tendencies you just mentioned. I'm, I read voluminously. I value quiet time. I have to recharge.

[01:13:08] Jordan Harbinger: Yeah. I know we're running outta time here. I know you're getting tired, as am I speaking to me time. You've been stationed in so many places. What is your favorite, you know, there are any sort of places where like, yeah, Paris was great, but Burma's really special.

You know, I'm very curious. You having lived in so many places,

[01:13:23] Jonna Mendez: you know, the, the CIA is a little funny about which places I could say I was in and other places that they didn't want me to name. There was one place I mentioned that there were toia doors and a pink cape over the suitcase in front of me in line at the hotel.

They said, no, no, no. That says where you are. I said, no, it doesn't. That could be anywhere in the southern tier of Europe. They're still doing bullfighting all over the place in France and Portugal. There. It doesn't say I'm any so places that I really liked. I really liked Bangkok. I liked that part of the world.

I, that was a, an amazing place to live at the time. I expect it still is, and the other part of it is, I have to call it the subcontinent, but if you read the book, I mean, just again and again, you're like, oh, I know where she is now. I still know where she is. But I went out there for a summer for three months to fill in for someone.

Just fell in love with that part of the world. When I went out the first time I was a photo operator, when I came back I said, I wanna, I have like an assignment there. They said the only job opening up in your timeline is disguise. I said, so train me. Be in disguise training for a year and a half. I completely changed my career field to go there, and I loved it when I got there.

It was a great, great assignment.

[01:14:32] Jordan Harbinger: It must be fun and exciting traveling and living all around the world and all these crazy places. I feel like it would suit me well. But what I'm not sure would suit me well is not knowing any of the real names of the people that I worked with or that I saw on a regular basis, or constantly having to make new friends and losing touch with the old ones.

'cause maybe you never really knew them in the first place. This is all pre-internet, right? So it's not like you just add somebody on social media or you've got their email and then when you move from Portugal to Italy or to Bangkok, you can just keep in touch. This is a group of people that you probably can't even call by phone.

You have to send a letter to someplace and see if they're even there anymore.

[01:15:05] Jonna Mendez: You know, I used to collect stationery as a traveling technical operations officer. I. I stayed in a lot of nice hotels and I, I would always take the stationery. That's always out. I used it to write home. Mm-Hmm. Because back then we were writing letters, but I was never writing a letter from where I was.

So they got a lot of mail from where I had been, but not, they never knew where I was and they never knew where I was going. But they knew that at one point I had been in the, in, in the Taj Hotel, say in Bombay, and they would admire the stationery. And that was just adding to what you're saying? Yeah. You walk into ccia A and what, you don't know it when you walk in, but a lot of us basically say goodbye to our friends that we grew up with to where we came from to our old besties.

Because over time it's just too hard to live that lie, to live your cover to kind of obscure where you are. And so you, you end up kind of cutting those connections and you replace them with CIA people who are. I call 'em, they're insiders. Your own friends are outsiders. Come through a wall. Now you're, you've got a new set of friends, they're insiders.

And throughout your career you'll keep bumping into these people. You'll see them in headquarters between tours. You go on a new tour, oh, you knew what this person, you worked with them. And, and that goes until you hit retirement. And when you hit retirement, you walk back through that wall and the people on the inside stay on the inside.

And now you're on the outside. And a lot of the connections that you thought were just, you know, typical friend connections, they don't stand up because, you know, maybe you always laughed and talked to Bill about, uh, the job. Well, you can't talk about the job or about your mutual friends. Well, you know, maybe the mutual friends have moved on and he doesn't wanna talk about, oh, he's over here.

He's over there. So all of your inside friends now are unavailable to you. And your old outside friends have abandoned you 'cause they never heard from you. In retirement, you kind of have to start from scratch in a way. And a lot of our men remember it was mostly men had terrible histories when they retired for longevity, they would die way faster than the normal population.

Most of them in my office. The technical types didn't really have a lot going on outside of work. You know, work consumed us. You might get a little bit of that in the book. We were just living and breathing. That's what we were doing. And you didn't have time for social stuff so much. Our men 18 months and they'd have heart attacks.

Tony used to say it was like, uh, jumping from a moving train or drinking from a fire hose. Pick one, but they would die. So we rearranged, totally rearranged our retirement processor. Now there's a six month, the last I heard stepping down. They teach you to write a resume. How to use your skills, how to use the skills.

You know, what is a former audio guy who spent his career installing bugs? He's a third story kind of guy. How does he write his resume? Well, we would give them lessons in how to, how to rephrase the work that he knew how to do.

[01:18:15] Jordan Harbinger: Transitioning out must be tough. I know a lot of former CIA operations people, men and women, and I'll say something like, oh, I got pitched by this former CIA guy.

Do you know him? And she'll be like, ah, I've never heard of that person. And then I'll send her a photo and she's like, oh wait, without the hair, you know? I do know that guy. I just didn't know his name was Andrew, because that's not what I heard when I was working there. Or I'll say something like, Hey, this guy was head of station at this place.

You know, I don't know what, what does he look like? Here he is. Oh yeah, I recognize that guy. And I just think that's such a weird thing to do. You don't know anyone's name, but you see them all the time. It's not that they've faded from memory, you just know a completely different version of them. So when they retire and you're retired, you're like, oh, your name's Darrell.

That's hilarious. My name's Darrell too. And you just never knew that, even though you worked together for half a decade,

[01:18:59] Jonna Mendez: you know you had work names. Completely. I have, there's a whole personality that's in the file system somewhere. The CIA, it's my file. My name is not in that file. Everything in there is pretty much under my working name.

And the working name was mostly for paperwork. 'cause my name would change depending on where I was going and what I was doing. But the ideal was if somebody ever overran one of our offices and got into the files and when looking through the files, you would not be in those files. Your name would be divulged.

[01:19:26] Jordan Harbinger: I feel like this episode is such a great prequel to the Moscow Rules show that we did a few years back. So again. I'm gonna air that one later this week. And if y'all enjoyed this episode, which I'm sure you did, you will absolutely love that episode, which includes a lot more, I'm going off memory here, but a lot more about disguises, cold War espionage, and other high stakes shenanigans.

So Jonah, thank you so much for coming back on the show. This stuff is always so fascinating.

[01:19:49] Jonna Mendez: I love the first one. I love this one too. Thank you.

[01:19:52] Jordan Harbinger: Thank you. If you're looking for another episode of the Jordan Harbinger Show, to check out, here's a trailer of our interview with Jack Barsky, former KGB Spy, who posed as an American in a truer than life version of a Hollywood movie.

This is one of our most popular episodes of the show. Jack not only dodged the FBI for decades, but also defected from the Soviet Union secretly becoming a real American. We'll learn how spies were recruited and trained during the Cold War and what skills Jack used to assimilate seamlessly into American culture.

[01:20:24] Clip: I was untouchable. I was above the law. I was always bypassing customs and passport controls. So a young person that really feels good because I never liked rules.

[01:20:34] Jordan Harbinger: How did you flip to eventually becoming full American? I know they tried to call you home. Can you take us through that?

[01:20:39] Clip: They called me back as an emergency departure.

They've done this in the past to call back an agent, and as soon as they step on Soviet soil, they are. Jailed or even executed. I was stalling the Soviets. And then one day they send one of their resident agents and he said to me, you gotta come home or else you're dead. It was a threat. I decided I would defy them and tell 'em that I'm not returning.

I will not betray any secrets, and please give the money on my account to my German family. Wow. And

[01:21:12] Jordan Harbinger: tell us how you got caught, because this story's just not complete until you, like you said, had to face your past.

[01:21:18] Clip: I was stopped on the other side of a tollgate. It was a state trooper, just like to check your license and registration and could you step out of the car.

I step out of the car still not having a clue what was going on out of the corner of my eye. Somebody approaching me from the back. The fellow introduced himself, he says, Joe Riley, FBI, and he showed me this badge. We would like to talk with you. The first question I asked, am I under arrest? And the answer was no.

Then I said, what took you so long?

[01:21:47] Jordan Harbinger: For more from Jack Barsky, including how Jack was finally caught by the FBI and what happened after that. Check out episode 2 85 of the Jordan Harbinger Show. Incredible, incredible interviewee. I love her. She's so awesome. I. One of the first American spies actually was a woman agent 3 55 in the Revolutionary War.

I'm, I think people, they still don't even know who she is. So talk about top secret, secret, never got out. That's pretty incredible. I, I could be wrong about that. Somebody looked that up. I couldn't find it. All things, Jona Mendez will be in the show notes over on the website@jordanharbinger.com.

Advertisers deals and discount codes, ways to support this show. All at Jordan harbinger.com/deals. Please consider supporting those who support this show. Also, our newsletter wee bit wiser over at Jordan harbinger.com/news. Practical bit every Wednesday. Read it in under two minutes, something that you can apply right away.

We'll improve your decisions, your psychology of relationships, well worth the investment. Great companion to the show, Jordan harbinger.com/news is where you can find it. And of course, six minute networking over@sixminutenetworking.com. I'm at Jordan Harbinger on both Twitter and Instagram. You can also connect with me on LinkedIn and this show is created, an association with Podcast one.

My team is Jen Harbinger, Jace Sanderson, Robert Foggerty, Ian Baird and Gabriel Mizrahi. Remember, we rise by lifting others. The fee for this show is you share it with friends. When you find something useful or interesting, the greatest compliment you can give us is to share the show with those you care about.

Now, if you know somebody who's interested in spy stuff or maybe women in careers that are traditionally only dudes. Definitely share this episode with 'em. In the meantime, I hope you apply what you hear on the show so you can live what you learn, and we'll see you next time. This episode is sponsored in part by Strictly Stalking Podcast.

Hey, listeners, I know there's no shortage of true crime content out there, but I have to tell you about this new podcast to binge on. It's called Strictly Stalking, which is a clever title I admit. Every Tuesday host, Jamie and Jake cover a unique stalking case by interviewing stalking survivors, advocates and experts.

Each episode is jaw dropping and really opens your eyes to seeing that stalkers aren't just jealous exes. They can be neighbors, family members, classmates, even complete strangers. Just imagine being stalked by somebody you met on a dating app that's episode 1 53, or by the warship leader from your church, episode 1 37.

I mean, that's surprising, but shouldn't be, right? Because those people often seek positions of power and they're creepy. It's just terrifying to know that these downright. Well, yeah, creepy experiences are real. They're super common. There's not much our justice system can even do to help the victims until it reaches just out of control levels of violence and threats.

Jamie and Jake are more than just the voices on the podcast. They're actually trying to make a positive change for survivors of stalking, and they're taking us along for the ride. Glad they're helping bring awareness to the reality of stalking and hopefully help others who are in these types of crazy situations.

We've heard those situations on Feedback Friday. They're absolutely real and absolutely terrifying. Check out strictly stalking on Apple, Spotify, or wherever you get your podcasts.